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SECOND  ANNUAL  EXHIBITION 


■ •■■ 


THE  DALLAS  ART  ASSOCIATION  GRATEFULLY  ACKNOWLEDGES  THE  KINDNESS 
OF  THE  ARTISTS,  COLLECTORS  AND  DEALERS  WHO  HAVE,  THROUGH  THEIR 
GENEROUS  ASSISTANCE  IN  LENDING  PICTURES,  CONTRIBUTED  TO  THIS 
EXHIBITION.  EXCEPT  WHEN  THE  LENDERS  WISHED  TO  REMAIN  ANONYMOUS 
ACKNOWLEDGEMENT  IS  MADE  IN  EACH  CASE  IN  THE  BODY  OF  THE  CATALOGUE 


EXHIBITION  ASSEMBLED  AND 
ARRANGED  BY  FORBES  WATSON 


CATALOGUE  DESIGNED  BY  EGMONT  H.  ARENS  AND  PRINTED  BY  HIM  AT  THE 
FLYING  STAG  PRESS  WHICH  IS  AT  27  WEST  EIGHTH  STREET,  NEW  YORK 


AUGUSTE  RENOIR:  Seated  Bather 


SECOND  ANNUAL  EXHIBITION 

AMERICAN  AND  EUROPEAN  ART 


INTRODUCTION  BY 

FORBES  WATSON 


THE  ADOLPHUS  HOTEL 

April  Seventh  to  Twenty- first 
Nineteen  Twenty-One 


THE 


DALLAS  ART  ASSOCIATION 

DALLAS,  TEXAS 


HONORARY  PATRONS  of  the 
SECOND  ANNUAL  EXHIBITION 

19  2 1 


Governor  Pat  M.  Neff  and  Mrs.  Neff 
Mayor  Frank  W.  Wozencraft 
Dr.  Robert  E.  Vinson  and  Mrs.  Vinson 
Dr.  Hiram  A.  Boaz  and  Mrs.  Boaz 
Rt.  Rev.  Alexander  C.  Garrett 
Rt.  Rev.  Joseph  P.  Lynch 
Mr.  and  Mrs.  George  B.  Dealey 
Mr.  and  Mrs.  Frank  M.  Smith 
Mrs.  Florence  C.  Floore 
Mr.  Edwin  J.  Kiest 
Mrs.  Harry  Payne  Whitney 


PATRONS 

Mr.  Alex  Sanger  Mr.  Milburn  Hobson 

Mr.  Edward  Titche  Mr.  Isadore  Goldsmith 
Mr.  Arthur  L.  Kramer  Mr.  Archie  N.  Rodgers 
Mr.  Herbert  Marcus  Mr.  Harold  J.  Abrams 
Mr.  William  A.  Green  Mr.  A.  L.  Neiman 
Mr.  Stephen  I.  Munger  Mr.  Robert  B.  Ellifritz 
Mr.  Max  Goettinger  Mr.  Christian  Weichsel 
Mr.  Rufus  W.  Higginbotham 


EXECUTIVE  BOARD  of  the 
DALLAS  ART  ASSOCIATION 

19  2 1 


President,  Mrs.  George  K.  Meyer 
1st  V ice-P resident,  Mrs.  Orville  Thorp 
2nd  Vice-President,  Thomas  L.  Westerfield 
Recording  Secretary,  Miss  Ruth  de  Capree 
Corresponding  Secretary,  OscE  Goodwin 
Treasurer,  Ralph  B.  Slighter 

Mrs.  Harold  J.  Abrams  Mrs.  John  G.  McReynolds 

Mrs.  Joseph  E.  Cockrell  xMrs. 

Mrs.  A.  Graham  Elliot,  Jr.  Mrs. 

Mrs.  Maggie  R.  Foat  Mrs. 

Mrs.  Augustus  B.  Griffith  Mrs. 

Mrs.  William  H.  Hirst  Mrs. 

Mrs.  Hamilton  M.  Munger  Mrs. 


Archie  N.  Rodgers 
Eli  L.  Sanger 
Manning  B.  Shannon 
C.  C.  Slaughter 
Christian  W eichsel 
Gilbert  G.  Wright 


Mr.  Edward  G.  Eisenlohr 


EXECUTIVE  COMMITTEE  of.  the 
SECOND  ANNUAL  EXHIBITION 


Mrs.  Harold  J.  Abrams 
Miss  Anne  Buxton 
Mrs.  Frank  H.  Blankinship 
xVIrs.  Alex  Gamp 
Mrs.  Joseph  E.  Cockrell 
Mrs.  Arthur  H.  Cleaver 
Mrs.  x\.  Graham  Elliot,  Jr. 
Mrs.  Maggie  R.  Foat 
. Mrs.  x\uGUSTUs  B.  Griffith 
' Mrs.  OscE  Goodwin 
Mrs.  John  C.  McReynolds 


Mrs.  Hamilton  M.  Munger 
Mrs.  Archie  N.  Rodgers 
Mrs.  Eli  L.  Sanger 
Mrs.  A.  M.  Samuell 
Mrs.  Manning  B.  Shannon 
Mrs.  C.  C.  Slaughter 
Mrs.  Ralph  B.  Stichter 
Mrs.  Orville  Thorp 
Mrs.  Thomas  L.  Westerfield 
Mrs.  Christian  Weichsel 
Mrs.  Gilbert  G.  Wright 


Directors  in  Charge 

Mr.  Edward  G.  Eisenlohr  Mrs.  Clara  C.  Wheat 


JOHN  LA  FARCE 


In  the  South  Sea  Island; 


I N T R 0 D U C T I 0 N 


Eventually  every  nation  is  judged  by  the  art  which  it  produces,  and  it 
is  hardly  too  fantastic  to  imagine  that  it  will  be  our  turn  next — that,  in 
fact,  our  turn  is  upon  us.  In  literature,  architecture,  painting  we  have  al- 
ready produced  works  of  great  beauty  and  lasting  quality,  but  that  the 
power,  the  immense  resources,  the  astonishing  combination  of  races  which 
are  America,  have  found  their  full  and  inevitable  expression  in  art  none, 
for  an  instant,  would  claim.  I do  think,  however,  in  my  American  opti- 
mism, that  we  are  on  the  verge  of  the  period  when  this  great  people  will 
find  adequate  artistic  expression^  and  the  bringing  of  such  an  exhibition  as 
this  to  Dallas  is  but  a sign  which  way  the  tide  of  art  is  flowing.  It  is  flow- 
ing our  way,  but  whether  the  stream  of  art  shall  be  small  and  easily 
diverted  from  its  course,  or  deep  and  sweeping,  is  a question  that  brings 
us  face  to  face  with  facts  that  will  test  us  quite  as  much  as  we  can  test  them. 

Are  we  to  be  satisfied  with  negative  culture  or  are  we  going  to  stand 
back  of  the  men  who  are  producing  art  at  this  very  minute,  and  by  our 
sympathetic  and  practical  support,  spur  them  on  to  the  limit  of  their 
capacities?  We  cannot  support  them  by  lagging  behind  them,  as  we  have 
in  the  past,  by  dragging  them  back  and  insisting  that  they,  always  the 
forerunners  of  their  race,  shall  remain  mere  repeaters  of  the  messages 
which  their  fathers  have  already  delivered,  any  more  than  we  can  support 
them  by  vague  yearnings. 


SECOND  ANNUAL  EXHIBITION 


In  order  to  be  able  to  support  the  artists — to  win  that  privilege — it  is 
necessary  to  approach  them  sympathetically,  to  respond  to  them  sensi- 
tively, and  to  give  to  their  point  of  view  long  and  concentrated  thought. 
To  attack  the  artist  because  he  does  not  see  things  as  we  see  them  is  to 
place  a barrier  between  him  and  ourselves.  The  artist  sees  differently  and 
better  or  he  would  not  be  an  artist.  Whether  he  is  a mystic,  or  a realist, 
or  a classicist,  or  whether  he  chooses  abstract  forms  as  a means  to  expres- 
sion, he  is  compelled  to  translate  his  vision  into  concrete  material.  It  is  a 
pre-requisite  that  he  should  be  sufficiently  the  master  of  his  vision  to  give 
it  visible  form. 

Although  we  see  line  and  form  and  color  all  about,  a surprisingly 
small  number  of  us  ever  formulate  a visual  idea  of  our  own,  based  on 
the  world  of  contrasting  and  harmonizing  forms — of  which  color  and  light 
are  but  integral  parts.  Our  process  is  much  slower.  We  are,  as  it  were, 
blind  to  the  world,  until  the  artist  has  given  us  the  lead.  And  when  we 
have  absorbed  into  our  every-day  visual  knowledge  that  which  was  ours 
to  see,  but  which  we  could  not  see  until  the  artist  had  combined  the  un- 
related parts  into  a synthetic  whole,  a state  of  inertia  sets  in,  and  the  artist 
who  discovers  in  these  same  natural  phenomena  a new  combination,  and 
has  in  turn,  a new  vision,  is  immediately  attacked  for  upsetting  our  com- 
fortable feeling  of  having  arrived.  No  sooner  do  we  reach  one  point  than 
the  artist  pricks  our  slumber  and  insists  that  we  should  go  to  another  point. 
We  repay  him  by  denying  him,  and  making  his  life  unhappy,  and  only 


DALLAS 


ART 


ASSOCIATION 


when  we  find  that  we  are  being  left  hopelessly  in  the  rear  do  we  reluctantly 
follow. 

This  idea  is  based  on  the  hard  facts  of  history.  Practically  every  one 
of  the  important  artists  of  the  past  hundred  years  in  this  exhibition  has 
been  denied.  Courbet,  Manet,  Monet,  Renoir,  Cezanne — for  them  all  it 
was  a long  hard  struggle  to  gain  recognition.  Our  collectors  to-day  are 
paying  enormous  sums  for  paintings  by  Renoir  and  Cezanne  and  in  so 
doing  flattering  themselves  that  they  are  abreast  of  the  artistic  development 
of  their  period. 

The  result  of  this  slowness  and  apathy  of  the  public  during  the  nine- 
teenth century,  was  to  create  a state  of  isolation  for  the  artist.  That  this 
century  was  one  of  the  great  periods  of  art  may  be  interpreted  as  an 
indication  that  isolation  is  good  for  the  artist’s  soul,  or  it  may  be  inter- 
preted, much  more  truly  I believe,  as  evidence  that  the  genius  of  a 
Cezanne  cannot  be  downed  even  by  an  inimical  public. 

The  artist  has  to-day  a much  wider  public.  Such  an  exhibition  as  this 
is  one  proof.  In  Philadelphia  the  Academy  is  giving  its  galleries  for  the 
first  time  to  the  young  American  moderns  of  more  radical  tendency,  and 
that  exhibition  will  open  one  week  after  the  Dallas  exhibition.  A propor- 
tion of  the  artists,  who  will  exhibit  there,  are  also  represented  here.  In 
the  Metropolitan  Musum  in  New  York  a French  exhibition  opens  shortly, 
and  Matisse,  Picasso,  Derain  and  others  whose  work  is  here,  will  for  the 
first  time  penetrate  the  sacred  Museum  portals.  We  are  catching  up. 
Chicago  is  contemplating  a new  modern  exhibition  also.  The  result  of  the 


SECOND  ANNUAL  EXHIBITION 


Dallas  exhibition  and  of  these  other  exhibitions  can  be  foreseen.  Instead 
of  waiting  for  the  artist  to  grow  old  or  die  in  neglect,  we  shall  begin  to 
recognize  him  in  the  prime  of  his  power,  and  by  supporting  him,  break 
through  his  isolation  and  strengthen  his  production. 

In  collecting  the  various  paintings  and  drawings  which  make  up  this 
varied  group,  by  showing  so  far  as  circumstances  would  permit,  the  various 
steps  in  the  development  of  painting,  during  the  past  hundred  years,  I 
have  had  a single  aim  in  view:  to  bring  us  into  direct  contact  with  the  men 
of  to-day  and  stimulate  the  interest  and  the  support  for  their  work  which 
is  quite  as  necessary  to  our  own  spiritual  enrichment  as  to  theirs. 

Without  background  cultivation  is  thin.  Without  apprehension  of  the 
modern  point  of  view  cultivation  is  lifeless.  If  we  are  content  to  see 
only  that  which  the  museums  have  collected,  if  our  eyes  close  as  we  emerge 
from  the  Louvre,  the  Prado,  the  Uffizi  or  wherever  we  may  discover  the 
masterpieces  of  the  past,  and  we  are  no  better  prepared  to  see  the  work  of 
the  creative  artists  of  to-day  we  can  be  sure  that  we  have  not  seen  the  work 
of  the  giants  of  the  past  through  our  own  eyes.  The  ultimate  test  of  our 
artistic  cultivation  lies  not  in  knowledge  of  the  art  of  the  past,  but  in  our 
capacity  to  utilize  the  principles,  gained  through  this  knowledge,  in  the 
more  difficult  and  elusive  process  of  seeing  into  the  artistic  expression  of 
the  life  in  which  we  play  a part. 


Forbes  Watson. 


C A T A L 0 G U E 


ABRAMS,  LUCIEN 

1.  Girls 

2.  Still  Life 

ANDRE,  ALBERT 

3.  Interior  with  Figure 
Courtesy  of  Mr.  Olaf  Olesen 

BEAL,  GIFFORD 

4.  Circus  Parade 

5.  Garden  Party 

BELLOWS,  GEORGE 

6.  Portrait  of  Mr.  Waldo  Pierce 

7.  Emma  in  Purple 

BIDDLE,  GEORGE 

8.  Portrait  of  My  Mother 

9.  Under  the  Bananas 

BRAQUE,  GEORGES 

10.  Still  Life 

11.  Still  Life  (water  color) 

Courtesy  of  Mr.  Marius  de  Zayas 

BURLIN,  PAUL 

12.  Los  Penitentes 

13.  Western  Landscape 

14.  Mexicana 

15.  Figure  (drawing) 

16.  Figure  (drawing) 

17.  Figure  (drawing) 

BURROUGHS,  BRYSON 

18.  The  Return  of  Judith 

BUTLER,  THEODORE 

19.  Goldfish 

20.  Goldfish 

21.  The  Avenue  of  the  Allies 


CARLES,  ARTHUR 

22.  Bouquet 

CARLSEN,  EMIL 

23.  Weir’s  Woods 

CASSATT,  MARY 

24.  Mother  and  Child 

Lent  anonymously 

25.  Mother  and  Baby 

Lent  anonymously 

26.  After  the  Bath 

Courtesy  of  Durand-Ruel  Gallery 
26(a).  Color-Etching 
26  (b).  Color-Etching 

Lent  by  Miss  Mary  Livingston  Willard 

CAZIN,  JEAN  CHARLES 

27.  Landscape 

Courtesy  of  Mr.  Olaf  Olesen 

CEZANNE,  PAUL  (1839-1906) 

28.  The  Artist’s  Estate  at  Aix 
Courtesy  of  Wildenstein  Gallery 

29.  The  Fountain  (water  color) 

30.  Trees  and  Rocks  (water  color) 

Lent  anonymously 

31.  Mountain  and  Tree  (water  color) 

32.  The  Alley  (water  color) 

33.  Man  Seated  (drawing) 

34.  Landscape  (drawing) 

35.  Figures  (drawing) 

36.  Man  Reclining  (drawing) 

37.  Study  from  the  Antique  (drawing) 

38.  Venus  and  Cherub  (drawing) 

39.  Male  lorso  (drawing) 

40^  Old  Woman  Sleeping  (drawing) 

41.  Figure  of  a Woman  (drawing) 
Courtesy  of  Mr.  Marius  de  Zayas 

42.  Bathers  (large  lithograph) 

43.  Bathers  ^ small  lithograph) 

Lent  anonymously 


SECOND  ANNEAL  EXHIBITION 


CHANLER,  ROBERT 

44.  Bird  Phantasy  (screen) 

Lent  by  Mr.  James  Deering 

COLLINS,  ALFRED  (1857-1903) 

45.  Niagara 

Lent  by  Mrs.  Charles  Cary 

COROT,  JEAN  BAPTISTE  CAMILLE 
(1796-1875) 

46.  Hamlet 

Courtesy  of  Mr.  Olaf  Olesen 

47.  Woman  Playing  a Mandolin 
Courtesy  of  Durand-Ruel  Gallery 

48.  Landscape  (drawing) 

Courtesy  of  Mr.  Marius  de  Zayas 

COURBET,  GUSTAVE  (1819-1877) 

49.  The  Mill 

50.  Landscape 

Courtesy  of  Mr.  Olaf  Olesen 

51.  Winter  Landscape 
Courtesy  of  Durand-Ruel  Gallery 

52.  In  Savoie 

53.  The  Artist’s  Grandfather 

54.  Figure  of  a Man  (drawing) 
Courtesy  of  Mr.  Marius  de  Zayas 

DASBURG,  ANDREW 
54  (a).  Portrait  of  Henry  Lee  McFee 
54  (b).  Drawing 
54  (c).  Drawing 

.DAUMIER,  HONORE  (1808-1879) 

55.  La  Plaidoirie  (drawing) 

Courtesy  of  Mr.  Marius  de  Zayas 

DAVIES,  ARTHUR  B. 

56.  Rose  to  Rose 

57.  A Sicilian  Shepherd 

Courtesy  of  Ferargil  Gallery 

58.  The  Mountaineers 

59.  After  Rain 


60.  Attainment  by  Fire 

61.  Drawing 

62.  Drawing 

63.  Drawing 

Lent  anonymously 

DAVIS,  CHARLES 

64.  The  Sun  Warms  the  Hillside 
Courtesy  of  Macbeth  Gallery 

DEGAS,  EDGAR  (1834-1917) 

65.  Horses 

Lent  by  Mrs.  Payne  Whitney 

66.  Dancers 

Courtesy  of  Mr.  Olaf  Olesen 

67.  Ballet  Scene 

68.  Portrait  Group  (pastel) 

Courtesy  of  Durand  Ruel  Gallery 

69.  Copy  of  an  Old  Master  (drawing) 

70.  Copy  of  an  Old  Master  (drawing) 

71.  Copy  of  an  Old  Master  (drawing) 

72.  Copy  of  an  Old  Master  (drawing) 

73.  Copy  of  an  Old  Master  drawing) 

74.  Dancers  (drawing) 

Lent  anonymously 

75.  Copy  of  Uccello  (drawing) 

76.  From  a Greek  Frieze  (drawing) 
Lent  anonymously 

77.  The  Village 

78.  Dancers  (pastel) 

79.  Bather  (pastel) 

80.  Woman  Dressing  Her  Hair  (draw- 
ing) 

81.  Dancer  (drawing) 

82.  Horses  (drawing) 

83.  Horses  (drawing) 

84.  Horse  (drawing) 

85.  Horse  (drawing) 

86.  Bather  (drawing) 

87.  Copy  of  an  Old  Master  (drawing) 

88.  Copy  of  an  Old  Master  (drawing) 
90.  Head  of  a Girl  (monotype) 


DALLAS 


ART 


ASSOCIATION 


91.  Nude  (pastel) 

92.  Dancers  (drawing) 

Courtesy  of  Mr.  Marius  de  Zayas 

DELACROIX,  EUGENE  (1799-1863) 

93.  Hercules  and  Alceste 
Lent  anonymously 

94.  Elowers 

95.  Sketch  for  La  Liberte  (drawing) 

96.  Figure  of  a Man  (drawing) 
Courtesy  of  Mr.  Marius  de  Zayas 

DEMUTH,  CHARLES 

97.  A Box  of  Tricks 

98.  A Piano-Mover’s  Holiday 

99.  Flowers  (water  color) 

100.  Flowers  (water  color) 

Courtesy  of  Daniel  Gallery 

101.  Horses  in  Stable  (water  color) 
Lent  anonymously 

DENIS,  MAURICE 

102.  Head  (color  print) 

103.  Figure  (color  print) 

Lent  anonymously 

DERAIN,  ANDRE 

104.  Portrait  of  a Woman 

105.  Head  of  a Man  (drawing) 

106.  Figure  of  a Woman  (drawing) 
Courtesy  of  Mr.  Marius  de  Zayas 

107.  Italian  Town  (drawing) 

108.  Trees  (drawing) 

Lent  anonymously 

D’ESPAGNAT,  GEORGES 

109.  Fruit  and  Flowers 
Courtesy  of  Durand-Ruel  Gallery 

DICKINSON,  PRESTON 

110.  Paris  Cafe  (drawing) 

111.  Paris  Cafe  (drawing) 

Lent  anonymously 


DuBOIS,  GUY  PENE 

112.  The  Harem  Carpet 
Courtesy  of  Kraushaar  Gallery 

113.  Red  Hair 

Lent  by  Mrs.  Charles  Cary  Rumsey 

EAKINS,  THOMAS 

114.  Hunting  Land 

115.  Retrospection 

Courtesy  of  Ferargil  Gallery 

EISENLOHR,  EDWARD  G. 

116.  Calm  Days 

117.  Willows  in  Snow 

f'lELD,  HAMILTON  EASTER 

118.  Barberry  and  Pine 

119.  Lower  Manhattan 
FOOTE,  MARY 

120.  Portrait  of  Frederick  Macmonies 

FORAIN,  JEAN  LOUIS 

121.  The  Picture  Dealer 

122.  Return  Home  After  the  War 

123.  The  Jury  Room  (drawing) 

124.  Marianne  (drawing) 

125.  Workers  at  the  Bar  (drawing) 

126.  Plans  (drawing) 

127.  Behind  the  Scenes  (drawing) 
Courtesy  of  Kraushaar  Gallery 

FOSTER,  BEN 

128.  Autumn  Twilight 

129.  An  Autumn  Day 

FRAZIER,  KENNETH 

130.  Golf  Players 

131.  In  the  Hudson  Valley 

FRIESEKE,  FREDERICK 

132.  Before  the  Window 

Courtesy  of  Macbeth  Gallery 


SECOND  ANNUAL  EXHIBITION 


^^AUGUIN,  PAUL  (1845-1903) 

132  (a).  Landscape 

133.  The  Artist’s  Mother  (water  color) 

134.  A Tahitian  Madonna  (water  color) 
Courtesy  of  Mr.  Marius  de  Zayas 

135.  Lithograph 

Lent  by  Mr.  Allen  Tucker 

GAYLOR,  WOOD 

136.  Pekin  Cafe 
Lent  anonymously 

GLACKENS,  WILLIAM 

137.  Child  and  Dog 

138.  Flowers 

139.  Horse-chestnut  Tree 

GLEIZES,  ALBERT 

140.  In  a Hammock  (water  color) 

141.  Small  Village  (water  color) 

142  Town  (water  color) 

Lent  anonymously 

GUILLAUMIN,  ARMAND 

143.  In  the  Garden 

144.  Landscape 

Lent  by  Mr.  Hamilton  Easter  Field 

GUYS,  CONSTANTIN  (1805-1892) 

145.  Portrait  of  a Woman  (drawing) 

146.  Two  Women  (drawing) 

Courtesy  of  Mr.  Marius  de  Zayas 

HALPERT,  SAMUEL 

147.  On  the  Seine 

Courtesy  of  Kraushaar  Gallery 

HARPIGNIES,  HENRI  J.  (1819-1890) 

148.  The  Oak  Tree 

Courtesy  of  Mr.  Olaf  Olesen 

HASSAM,  CHILDE 

149.  The  Hudson 


HOMER,  WINSLOW 

150.  French  Farm 

Courtesy  of  Babcock  Gallery 

151.  In  the  Connecticut  Valley  (water 
color) 

Courtesy  of  Milch  Gallery 

INGRES,  JEAN  AUGUSTE 
DOMINIQUE  (1780-1867) 

152.  The  Odalisque  (lithograph) 

Lent  by  Mr.  Charles  Sheeler 

KENT,  ROCKWELL 

153.  Maine  Coast 

Lent  by  Mr.  Ralph  Pulitzer 

154.  Alaska 

KROLL,  LEON 

155.  The  Easter  Lily 

156.  The  Picnic 

KUEHNE,  MAX 

157.  Segovia 

158.  Spanish  Landscape 

159.  Small  Panel 

160.  Small  Panel 

161.  Small  Panel 

162.  Small  Panel 

LACHAISE,  GASTON 

163.  Peacock  (sculpture) 

164.  Peacock  (sculpture) 

165.  Drawing 

166.  Drawing 

167.  Drawing 

168.  Drawing 

LA  FAROE,  JOHN 

169.  In  the  South  Sea  Islands 
Lent  by  Mr.  Hamilton  Easter  Field 

LAURENCIN,  MARIE 

170.  Two  Girls 


DALLAS 


ART 


ASSOCIATION 


171.  Head  (drawing) 

Lent  anonymously 

LAWSON,  ERNEST 

172.  Winter  Landscape 
Lent  by  Mr.  Allen  Tucker 

LEVER,  HAYLEY 

173.  Bathing  Beach 

174.  The  Interclub  Regatta 

175.  Water  Color 

176.  Water  Color 

LUKS,  GEORGE 

177.  Czecho-Slovak  Chieftan 

178.  New  Year’s  Shooter 
Courtesy  of  Kraushaar  Gallery 

MANET,  EDOUARD  (1832-1883) 

179.  The  Smoker 

Lent  by  Mrs.  Harry  Payne  Whitney 

180.  The  Toreador 

Courtesy  of  Mr.  Olaf  Olesen 

xMATISSE,  HENRI 

181.  Apples 

182.  A Room  in  a Hotel 

183.  Women  Bathing 

184.  Marine 

Courtesy  of  Mr.  Marius  de  Zayas 

MILLET,  JEAN  FRANCOIS 

185.  The  Sower 

Lent  by  Mrs.  Harry  Payne  Whitney 

186.  Drawing 

Courtesy  of  Kraushaar  Gallery 

MONET  CLAUDE 

187.  The  Cliff 

188.  Giverney 

189.  Belle  Isle 

Courtesy  of  Mr.  Olaf  Olesen 


ONDERDONK,  JULIAN 

190.  Sunrise  in  the  Hills 

PACH,  WALTER 

191.  Painting 

192.  Painting 

PASCIN,  JULES 

193.  Summer,  Etching 

194.  Lovers,  Etching 

195.  Etching 

Lent  anonymously 

PICASSO,  PABLO 

196.  Portrait 

197.  Portrait  (drawing) 

198.  Bathers  (pastel) 

199.  Man  Seated  (etching) 

Lent  anonymously 

200.  Figure 

201.  Portrait  (drawing) 

202.  The  Masked  Ball  (water  color) 

203.  The  Cafe  (water  color) 

Courtesy  of  Mr.  Marius  de  Zayas 

204.  Nude  (drawing) 

PISSARRO,  CAMILLE  (1830-1903) 

205.  Haying 

Courtesy  of  Mr.  Olaf  Olesen 

206.  Rouen 

207.  Pontoise 

Courtesy  of  Durand-Ruel  Gallery 

PRENDERGAST,  CHARLES 

208.  Carved  Panel 

PRENDERGAST,  MAURICE 

209.  Venice 

REAUGH,  FRANK 

210.  On  the  Way  to  Water 

Lent  by  Mrs.  Stephen  I.  Munger 


SECOND  ANNUAL  EXHIBITION 


REDFIELD,  EDWARD  W. 

211.  The  Sunken  Road 

Courtesy  of  Ferargil  Gallery 

^^EDON,  ODILON 

212.  The  Red  Boat 

Lent  by  Miss  Mary  Livingston  Willard 

213.  Flowers 

Lent  by  Mr.  Daniel  Morgan 

214.  Pegasus  (lithograph) 

215.  Pegasus  (lithograph) 

216.  Head  (lithograph) 

217.  Lithograph 

Lent  anonymously 

RENOIR,  AUGUSTE  (1839-1919) 

218.  Landscape 

Lent  by  Mrs.  Payne  Whitney 

219.  Flowers 

220.  Head  of  a Woman 
Courtesy  of  Mr.  Marius  de  Zayas 

221.  In  the  Garden 

222.  The  River  at  Argenteuil 

223.  Young  Girl  Seated  in  the  Garden 
Courtesy  of  Durand-Ruel  Gallery 

RIVERA,  DIEGO 

224.  Majolica  Landscape 

Lent  anonymously 

225.  The  Aqueduct 

226.  Houses 

Courtesy  of  Mr.  Marius  de  Zayas 

^..RODIN,  AUGUSTE  (1840-1917) 

""  227.  Drawing 

228.  Drawing 

Lent  anonymously 

229.  Drawing 

230.  Drawing 

Lent  by  Mr.  Hamilton  Easter  Field 

ROUSSEAU,  HENRI 

231.  Fortifications 


232.  Landscape 

Courtesy  of  Mr.  Marius  de  Zayas 

RYDER,  ALBERT  P. 

233.  The  Smuggler’s  Landing  Place 

234.  The  White  Horse 

235.  Travellers  at  Dusk 

Courtesy  of  Kraushaar  Gallery 

SCHAMBERG,  MORTON 

236.  Landscape 

Lent  anonymously 

SHEELER,  CHARLES 

237.  Flowers 

238.  Interior 

239.  Bucks  County  Barn  (drawing) 

240.  Bucks  County  Barn  (drawing) 

SCHOFIELD,  ELMER 

241.  North  Coast  of  Cornwall 

242.  Pengrenow  Farm 

243.  Sunlit  Ravine 

SERRET,  CHARLES 

244.  Children  at  Play  (pastel) 

Lent  anonymously 

SEURAT,  GEORGES  (1860-1891) 

245.  The  Rain  (drawing) 

246.  Steamboat  (drawing) 

Courtesy  of  Mr.  Marius  de  Zayas 

SIGNAC,  PAUL 

247.  Water  Color 

Lent  by  Miss  Mary  Livingston  Willard. 

SISLEY,  ALFRED  (1839-1899) 

248.  The  Sand  Dock 

Courtesy  of  Durand-Ruel  Gallery 

249.  Canal  Boats 

250.  Afternoon  Sunlight 
Courtesy  of  Mr.  Olaf  Olesen 


DALLAS 


ART 


ASSOCIATION 


SLOAN,  JOHN 

251.  Sun  and  Wind  on  the  Roof 

252.  Independence  Square 

253.  Etching 

254.  Etching 

SPEICHER,  EUGENE 

255.  The  Balm  of  Gilead  Tree 

256.  Landscape 

STERNE,  MAURICE 

257.  Dancers 

258.  Resting  at  the  Bazaar 

259.  Drawing 

260.  Drawing 

261.  Drawing 

Courtesy  of  Bourgeois  Gallery 

TUCKER,  ALLEN 

263.  Old  Cordes 

264.  The  Hill  Farm 

265.  Portrait  of  Signorina  S 

TOULOUSE-LAUTREC,  HENRI  DE 
(1864-1901) 

266.  The  Clown  Chocolat  (drawing) 

267.  Woman  on  Bed  (lithograph) 

268.  The  Young  Acrobat  (monotype) 

269.  Woman  on  Bed  (lithograph) 
Courtesy  of  Mr.  Marius  de  Zayas 

TWACHTMAN,  JOHN 

270.  The  Mill  Stream 

Courtesy  of  Macbeth  Gallery 

271.  In  Holland 

272.  The  Lake  Under  the  Hill 

Courtesy  of  Milch  Gallery 

273.  End  of  the  Rain 

Lent  by  Mr.  Allen  Tucker 

274.  Old  Oyster  Boats 

Courtesy  of  Babcock^ Gallery 


/fm  GOGH,  VINCENT 

274  (a).  Portrait  of  a Boy 

Courtesy  of  Mr.  Marius  de  Zayas 

VLAMINCK,  MAURICE 

275.  Landscape 

Courtesy  of  Mr.  Marius  de  Zayas 

WALLACE,  ETHEL 

276.  The  Japanese  River  (decorative 
hanging) 

277.  The  Tiger  (decorative  hanging) 

278.  Butterflies  (decorative  hanging) 

279.  Pomegranates  (decorative  hanging) 

WATSON,  NAN 

280.  Contrasts 

281.  Portrait 

WEBER,  MAX 

282.  Landscape 
Lent  anonymously 

WEIR,  J.  ALDEN  (1852-1920) 

283.  Portrait  of  a Boy 

Courtesy  of  Ferargil  Gallery 

WILSON,  RICHARD  (1713-1782) 

284.  Lake  Nemi 

Lent  by  Mr.  Hamilton  Easter  Field 

ZORACH,  MAGUERITE 

285.  New  York  (embroidery) 

286.  Indian  Wedding  (embroidery) 

287.  Moonlight  (water  color) 

288.  Lost  Lake  (water  color) 

289.  Yosemite  Valley  (water  color) 

290.  Summits  (water  color) 

ZORACH,  WILLIAM 

291.  Yosemite  Falls  (water  color) 

292.  Yosemite  Valley  (water  color) 

293.  Vernal  Falls  (water  color) 

294.  The  Mountains  (water  color) 


INDEX  OF  A DP  R E S S E S 


Note: — The  addresses  of  the  owners  or  the  agents  of  the  owners  of  all  of  the 
pictures  in  this  exhibition  which  are  for  sale,  together  with  the  catalogue  numbers 
of  said  pictures,  are  given  below.  It  is  to  be  noted  that  while  the  Dallas  Art 
Association  charges  no  commission  on  the  sale  of  any  picture  in  the  exhibition, 
it  will  be  happy  to  extend  every  assistance  to  prospective  purchasers  and  will,  upon 
application,  submit  a list  of  the  prices  of  the  pictures  which  are  for  sale.  Pur- 
chasers who  wish  to  deal  directly  with  the  artists  themselves,  or  with  their  dealers, 
are  encouraged  to  do  so,  and  for  that  purpose  the  following  list  of  addresses  is 
submitted  to  their  attention.  When  a picture  is  contributed  through  the  courtesy 
of  a dealer  or  agent,  the  agent’s  address  is  given.  When  the  artist  himself  has 
contributed  pictures  that  are  for  sale  the  artist's  address  is  given. 

ABRAMS,  LUCIEN,  Dallas,  Texas.  1,  2. 

BABCOCK  GALLERY,  19  East  49th  Street,  New  York.  150,  274. 

BEAL,  GIEFORD,  230  West  59th  Street,  NeW  York.  4,  5. 

BELLOWS,  GEORGE,  145  East  19th  Street,  New  York.  6,  7. 

BIDDLE,  GEORGE,  50  Barrow  Street,  New  York.  8,  9. 

BOURGEOIS  GALLERY,  668  Fifth  Avenue,  New  York.  257,  258,  259,  260,  261, 
262. 

BERLIN,  PAUL,  106  West  57th  Street,  New  York.  12,  13,  14,  15,  16,  17. 
BURROUGHS,  BRYSON,  c/o  Metropolitan  Museum,  New  York.  18. 

BUTLER,  THEODORE,  75  Washington  Place,  New  York.  19,  20,  21. 

CARLES,  ARTHUR  B.,  2007  Girard  Avenue,  Philadelphia,  Pa.  22. 

DANIEL  GALLERY,  2 West  47th  Street,  New  York.  97,  98,  99,  100. 

DE  ZAYAS,  MARIUS-,  549  Fifth  Avenue,  New  York.  10,  11,  31,  32,  33,  34,  35, 
36,  37,  38,  39,  40,  41,  48,  52,  53,  54,  55,  77,  78,  79,  80,  81,  82,  83,  84,  85, 
86  87  88  89,  90,  91,  92,  94,  95,  96,  104,  105,  106,  133,  134,  145,  146,  181, 
182,  183,  184,  200,  201,  202,  203,  218,  219,  220,  225,  226,  231,  232,  245,  266, 
267,  268,  269,  275,  132  (a),  274  (a). 

DURAND-RUEL  GALLERY,  12  East  57th  Street,  New  York.  26,  47,  51,  67,  68, 
109,  206,  207,  221,  222,  223,  248. 

EISENLOHR,  EDWARD  G.,  Dallas,  Texas.  116,  117. 

FERARGIL  GALLERY,  607  Fifth  Avenue,  New  York.  23,  56,  57,  114,  115,  211, 
283. 


DALLAS 


ART 


ASSOC  1 A T 1 0 N 


FIELD,  HAMILTON  EASTER,  106  Columbia  Heights,  Brooklyn.  118,  119. 
EOOTE,  MARY,  3 Washington  Square  North,  New  York.  120. 

EOSTER,  BEN,  National  Arts  Club,  East  19th  Street,  New  York.  128,  129. 
ERAZIER,  KENNETH,  Century  Club,  East  43rd  Street,  New  York.  130,  131. 
GLACKENS,  WILLIAM,  10  West  9th  Street,  New  York.  137,  138,  139. 
HASSAM,  CHILDE,  132  West  57th  Street,  New  York.  149. 

^^^ENT,  ROCKWELL,  Arlington,  Vermont.  154. 

KROLL,  LEON,  253  West  42nd  Street,  New  York.  155,  156. 

KUEHNE,  MAX,  18  Bank  Street,  New  York.  157,  158,  159,  160,  161,  162. 

LACHAISE,  GASTON,  77  Washington  Place,  New  York.  163  164,  165,  166,  167. 
168. 

LEVER,  HAYLEY,  253  West  42nd  Street,  New  York.  173,  174,  175,  176. 
ONDERDONK,  JULIEN,  Dallas,  Texas.  190. 

PACH,  WALTER,  13  East  14th  Street,  New  York.  191,  192. 

PRENDERGAST,  CHARLES,  50  Washington  Square  South,  New  York.  208. 
PRENDERGAST,  MAURICE,  50  Washington  Square  South,  New  York.  209. 
^SHEERER,  CHARLES,  cjo  M.  de  Zayas,  549  Eifth  Avenue.  237,  238,  239,  240. 
SLOAN,  JOHN,  88  Washington  Place,  New  York.  251,  252,  253,  254. 

SPEICHER,  EUGENE,  253  West  42nd  Street,  New  York.  255,  256. 

TUCKER,  ALLEN,  121  East  79th  Street,  New  York.  263,  264,  265. 

WALLACE,  ETHEL,  62  Washington  Square,  South,  New  York.  276,  277,  278,  279. 
WATSON,  NAN,  12  West  8th  Street,  New  York.  280,  281. 

ZORACH,  MARGUERITE,  123  West  10th  Street,  New  York.  285,  286,  287,  288, 
289,  290. 

ZORACH,  WILLIAM,  123  West  10th  Street,  New  York.  291,  292,  293,  294. 


DOMINIQUE  INGRES:  The  Odalisque 


GUSTAVE  COURBET:  The  Mill 


ALBERT  RYDER:  The  Smuggler’s  Landing  Place 


CLAUDE  MOXET;  The  Cliff 


ELMER  SCHOEIELD:  Snow  in  the  Ravine 


CAMILLE  PISSARRO:  Pontoise 


EDGAR  DEGAS:  Portrait  Group 


MARY  CASSATT : After  the  Bath 


EDOUARD  MANET:  The  Smoker 


GEORGE  BELLOWS:  Portrait  of  Waldo  Pierce 


GEORGE  LUKS:  Czecho-Slovak  Chieftan 


ROCKWELL  KENT : Alaska 


JOHN  SLOAN:  Sunlight  on  the  Roof 


KENNETH  FRAZIER:  Golf  Players 


ARMAND  GUILLAUMIN:  The  Garden 


EUGENE  SPEICHER:  Landscape 


MAX  KUEHNE:  Segoria 


ALLEX  TUCKER:  Portrait  of  Signorina  S 


PAUL  Cezanne  : Jas  de  Bouffan 


7^ 


DIEGO  RIVERA:  The  Aqueduct 


PAUL  BURLIN:  Los  Penilentes 


ANDREW  DASBURG:  Portrait  of  Henry  Lee  McFee 


ARTHUR  B.  DAVIES:  After  Rain 


ANDRE  DERAIN:  Figure  of  a Woman 


HENRI  ROUSSEAU:  The  Fortifications 


CHARLES  DEMUTH:  A Piano  Mover’s  Holiday 


CHARLES  SHEELER;  Interior 


GASTON  LA  CHAISE:  Peacock 


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